2 10 12 https://johnathanseitz.com/files/original/9bf2a9cee11fc8a0c9fa695404df316b.jpg aeaaf07013af69a7991c31654171b572 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The War in Cartoon Form Subject The topic of the resource Matters of the War and Diplomacy as captured by British and American Cartoonists Description An account of the resource Political cartoons, whether critical or satirical, exist as commentary for the major issues and events of the day - the Civil War in America included. British and American publications regularly highlighted issues of the war, including diplomatic controversy, in their accompanying illustrations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Political Cartoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'John Bull's Neutrality' Subject The topic of the resource A Depiction of Britain's Stance on the Conflict Description An account of the resource Punch's satirical criticism of the American conflict highlights their view of British neutrality in this image, perceiving the nation as above the conflict. While certain groups within the population and government displayed sympathy for either side, the overall feeling remained ambivalent to the conflict. However, the artist includes the threat that Britain could bring to the war, noting its willingness to end it by force if threatened or heavily inconvienienced by it. Creator An entity primarily responsible for making the resource Sir John Tenniel Source A related resource from which the described resource is derived Reprinted on page 150 in William Walsh's Abraham Lincoln and the London Punch, New York: Moffat, Yard, and Company, 1909 Publisher An entity responsible for making the resource available Punch, or the London Charivari Date A point or period of time associated with an event in the lifecycle of the resource October 3rd, 1863 Rights Information about rights held in and over the resource Public Domain Language A language of the resource English Type The nature or genre of the resource Still Image, Text Brother Jonathan/Uncle Sam Confederacy John Bull Punch Cartoons Union https://johnathanseitz.com/files/original/7349b1076ce23ebd8c7f6d59300416a5.jpg 9e9962a40a16871e92fe50fbc5419972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The War in Cartoon Form Subject The topic of the resource Matters of the War and Diplomacy as captured by British and American Cartoonists Description An account of the resource Political cartoons, whether critical or satirical, exist as commentary for the major issues and events of the day - the Civil War in America included. British and American publications regularly highlighted issues of the war, including diplomatic controversy, in their accompanying illustrations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Political Cartoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Naughty Jonathan' Subject The topic of the resource The 'American Yankee' Caricature in the Civil War Era Description An account of the resource British iconography for American culture and society evolved over the course of the early 19th century. Among them precursors to the popular icon of Uncle Sam, these figures also included 'Brother Jonathan.' Perceived American-belligerence during the Civil War leads to a change in the character, soon termed 'Naughty Jonathan' in the British press. In this image, Jonathan is shown as throwing a tantrum over Britain's refusal to support the Northern cause, as the motherly figure of Queen Victoria, also representing Britannia, sits as if ready to scold her unruly child. Creator An entity primarily responsible for making the resource Sir John Tenniel Source A related resource from which the described resource is derived Punch Magazine; Reprinted on page 117 of William Walsh's Abraham Lincoln and the London Punch, New York: Moffat, Yard and Company, 1909. Publisher An entity responsible for making the resource available Punch, or the London Charivari Date A point or period of time associated with an event in the lifecycle of the resource July 6, 1861 Rights Information about rights held in and over the resource Public Domain Language A language of the resource English Type The nature or genre of the resource Text, Still Image Britannia Brother Jonathan/Uncle Sam Punch Cartoons Queen Victoria United Kingdom United States