1 10 50 https://johnathanseitz.com/files/original/7349b1076ce23ebd8c7f6d59300416a5.jpg 9e9962a40a16871e92fe50fbc5419972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The War in Cartoon Form Subject The topic of the resource Matters of the War and Diplomacy as captured by British and American Cartoonists Description An account of the resource Political cartoons, whether critical or satirical, exist as commentary for the major issues and events of the day - the Civil War in America included. British and American publications regularly highlighted issues of the war, including diplomatic controversy, in their accompanying illustrations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Political Cartoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Naughty Jonathan' Subject The topic of the resource The 'American Yankee' Caricature in the Civil War Era Description An account of the resource British iconography for American culture and society evolved over the course of the early 19th century. Among them precursors to the popular icon of Uncle Sam, these figures also included 'Brother Jonathan.' Perceived American-belligerence during the Civil War leads to a change in the character, soon termed 'Naughty Jonathan' in the British press. In this image, Jonathan is shown as throwing a tantrum over Britain's refusal to support the Northern cause, as the motherly figure of Queen Victoria, also representing Britannia, sits as if ready to scold her unruly child. Creator An entity primarily responsible for making the resource Sir John Tenniel Source A related resource from which the described resource is derived Punch Magazine; Reprinted on page 117 of William Walsh's Abraham Lincoln and the London Punch, New York: Moffat, Yard and Company, 1909. Publisher An entity responsible for making the resource available Punch, or the London Charivari Date A point or period of time associated with an event in the lifecycle of the resource July 6, 1861 Rights Information about rights held in and over the resource Public Domain Language A language of the resource English Type The nature or genre of the resource Text, Still Image Britannia Brother Jonathan/Uncle Sam Punch Cartoons Queen Victoria United Kingdom United States https://johnathanseitz.com/files/original/9bf2a9cee11fc8a0c9fa695404df316b.jpg aeaaf07013af69a7991c31654171b572 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The War in Cartoon Form Subject The topic of the resource Matters of the War and Diplomacy as captured by British and American Cartoonists Description An account of the resource Political cartoons, whether critical or satirical, exist as commentary for the major issues and events of the day - the Civil War in America included. British and American publications regularly highlighted issues of the war, including diplomatic controversy, in their accompanying illustrations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Political Cartoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'John Bull's Neutrality' Subject The topic of the resource A Depiction of Britain's Stance on the Conflict Description An account of the resource Punch's satirical criticism of the American conflict highlights their view of British neutrality in this image, perceiving the nation as above the conflict. While certain groups within the population and government displayed sympathy for either side, the overall feeling remained ambivalent to the conflict. However, the artist includes the threat that Britain could bring to the war, noting its willingness to end it by force if threatened or heavily inconvienienced by it. Creator An entity primarily responsible for making the resource Sir John Tenniel Source A related resource from which the described resource is derived Reprinted on page 150 in William Walsh's Abraham Lincoln and the London Punch, New York: Moffat, Yard, and Company, 1909 Publisher An entity responsible for making the resource available Punch, or the London Charivari Date A point or period of time associated with an event in the lifecycle of the resource October 3rd, 1863 Rights Information about rights held in and over the resource Public Domain Language A language of the resource English Type The nature or genre of the resource Still Image, Text Brother Jonathan/Uncle Sam Confederacy John Bull Punch Cartoons Union https://johnathanseitz.com/files/original/c754f493a054a116aada23cfb11d5cab.jpg 2d852b5434f1dac8a8f75fbf5ab5908a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The War in Cartoon Form Subject The topic of the resource Matters of the War and Diplomacy as captured by British and American Cartoonists Description An account of the resource Political cartoons, whether critical or satirical, exist as commentary for the major issues and events of the day - the Civil War in America included. British and American publications regularly highlighted issues of the war, including diplomatic controversy, in their accompanying illustrations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Political Cartoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'John Bull's Neutrality - The Guardian of Civilization in Full Play' Subject The topic of the resource An American Cartoonist's Perception of British 'Neutrality' Description An account of the resource While declaring itself neutral, and remaining that way for the duration of the war, some in the North believed that sympathies for the South permeated Britain's top levels of government. This image from Harper's Weekly uses the figure of John Bull in a more negative light. Setting two of Britain's prominent Confederate-leaning officials - John Russell and John Roebuck - in the form of dogs against Columbia (Union), Bull is presented as a distraction in her fight against a serpent representing the Southern rebellion. Creator An entity primarily responsible for making the resource John McLenan Date A point or period of time associated with an event in the lifecycle of the resource Published September 13, 1862 Source A related resource from which the described resource is derived Located in the Special Collections and College Archives, Musselman Library, Gettysburg College; Digitized online at https://library.artstor.org/#/object/SS7731291_7731291_10904008_GETTY Publisher An entity responsible for making the resource available Harper's Weekly Rights Information about rights held in and over the resource Public Domain Language A language of the resource English Type The nature or genre of the resource Still Image, Text Columbia Harper's Weekly John Bull United Kingdom United States https://johnathanseitz.com/files/original/6db64eb8aefc5b7ebbb28fc6c468344c.jpg 0350515486ef7c83082c7f1a1e0424b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Slavery, Abolition and Emancipation Subject The topic of the resource The role of slavery in Anglo-American relations and Civil War diplomacy. Description An account of the resource The institution of slavery of the United States was a key contributer to the crisis of secession, and subsequently formed a prominent issue in diplomatic matters of the Civil War. The Union and Confederacy alike both faced difficulties in addressing the subject in interactions with outside powers, Great Britain included. Britain, a nation that had developed strong anti-slavery sentiment watched this area of the conflict wondering if its abolition in North America would be achieved. Creator An entity primarily responsible for making the resource Johnathan Seitz Date A point or period of time associated with an event in the lifecycle of the resource 1860-1865 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Article Illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Domestic Life in South Carolina' Subject The topic of the resource A British Illustrator's View of Domestic Life and Society in Civil War South Carolina Description An account of the resource This scene displayed in the Illustrated London News offers a more idyllic depiction of the nature of Southern society and issues of race. While not explicitly stated, this image may provide a window into the presence of slavery in the structure of the Southern family household. The image displays characteristics common of such depictions, including the contrasting appearances of the white and black figures in the scene, adult and child alike. Creator An entity primarily responsible for making the resource The Illustrated London News Source A related resource from which the described resource is derived Courtesy of "The Civil War in America from the Illustrated London News": A Joint Project by Sandra J. Still, Emily E. Katt, Collection Management, and the Beck Center of Emory University; Images online at http://iln.digitalscholarship.emory.edu/ Publisher An entity responsible for making the resource available From The Illustrated London News, Vol. 42, no. 1204, p. 552 Date A point or period of time associated with an event in the lifecycle of the resource Published May 23, 1863 Rights Information about rights held in and over the resource Public domain; Courtesy of "The Civil War in America from the Illustrated London News": A Joint Project by Sandra J. Still, Emily E. Katt, Collection Management, and the Beck Center of Emory University Language A language of the resource English Type The nature or genre of the resource Still Image, Text Confederacy Slavery https://johnathanseitz.com/files/original/eb1e20dd31c00a79f94bad9ba904de9c.jpg cb02d6b083080697e8c8096378563b50 https://johnathanseitz.com/files/original/58c7f7fa00e1487de17c9347ef1c90d0.jpg ba8a759f169d2d783787274d6fdec1ef https://johnathanseitz.com/files/original/ac00920f9fdb57d4be4218cc45e76a4d.jpg 03c5f1e33e474cf8e6e26af09c36cb48 https://johnathanseitz.com/files/original/eac45d64f53f671b0ff103bbfcbbb9ad.jpg 7d5a9926516b1028bcfca5b575db326c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documents of Diplomacy Subject The topic of the resource Anglo-American Communications: Great Britain, Union and Confederacy Description An account of the resource Documents pertaining to diplomatic messages, instructions, and negotiations between representatives of Great Britain and the American belligerents. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Government Document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'The Queen's Neutrality Proclamation' Subject The topic of the resource Official Declaration of British Neutrality in the American Civil War released by Queen Victoria Description An account of the resource This document not only established Great Britain's stance concerning events in the brewing conflict between the North and South, but also recognized the belligerent status of the two combatants. In the aftermath of its release, the provisions of the initial statement would be further adjusted by Foreign Minister Earl Russell, expanded to affect British maritime law and belligerent access to their ports and territorial waters. The action also angered the North, as it afforded the same status to the Confederacy as the Union. The South took the gesture as a potential doorway to future recognition and support for their cause of independence. Creator An entity primarily responsible for making the resource Downing Street, London; Source A related resource from which the described resource is derived Library of Congress - The Alfred Whital Stern Collection of Lincolniana; Digitized online at https://www.loc.gov/item/scsm000229/ Date A point or period of time associated with an event in the lifecycle of the resource February 1, 1862 Publisher An entity responsible for making the resource available Downing Street, London Rights Information about rights held in and over the resource Public Domain Language A language of the resource English Type The nature or genre of the resource Text Confederacy Diplomacy John Russell Queen Victoria Union United Kingdom https://johnathanseitz.com/files/original/fb1e740f6a1ac4cd20a7d78523a61c48.jpg bf437e2726b1e045dad7a3cf842f1a4b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The War in Cartoon Form Subject The topic of the resource Matters of the War and Diplomacy as captured by British and American Cartoonists Description An account of the resource Political cartoons, whether critical or satirical, exist as commentary for the major issues and events of the day - the Civil War in America included. British and American publications regularly highlighted issues of the war, including diplomatic controversy, in their accompanying illustrations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Political Cartoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Family Quarrel' Subject The topic of the resource A View of the Division in the United States and the Nature of its Breakup Publisher An entity responsible for making the resource available Punch or the London Charivari Date A point or period of time associated with an event in the lifecycle of the resource September 28, 1861 Creator An entity primarily responsible for making the resource Sir John Tenniel Language A language of the resource English Type The nature or genre of the resource Still Image, Text Description An account of the resource Providing a satirical take on the nature of the divide between North and South, theLondon-based Punch's take shows the traditional Yankee opposite a new female figure representing the Confederacy, each holding torn parts of the national map. In the background, signifying the role of slavery in generating the decline and crisis of secession, a black individual is seen leaving the scene Source A related resource from which the described resource is derived Reprinted on page 119 in William Walsh's Abraham Lincoln and the London Punch, New York: Moffat, Yard and Company, 1909 Rights Information about rights held in and over the resource Public Domain Brother Jonathan/Uncle Sam Punch Cartoons Slavery https://johnathanseitz.com/files/original/b0d822ba2f3df946467bb0e2240be921.jpg c1ad44e02c4cf4645c5858ae46d99602 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Slavery, Abolition and Emancipation Subject The topic of the resource The role of slavery in Anglo-American relations and Civil War diplomacy. Description An account of the resource The institution of slavery of the United States was a key contributer to the crisis of secession, and subsequently formed a prominent issue in diplomatic matters of the Civil War. The Union and Confederacy alike both faced difficulties in addressing the subject in interactions with outside powers, Great Britain included. Britain, a nation that had developed strong anti-slavery sentiment watched this area of the conflict wondering if its abolition in North America would be achieved. Creator An entity primarily responsible for making the resource Johnathan Seitz Date A point or period of time associated with an event in the lifecycle of the resource 1860-1865 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'John Bull Makes a Discovery' Subject The topic of the resource An American Prediction Concerning British Slavery Sentiment Description An account of the resource This print, likely published in the first years of the war, conveys some of the fears Americans had concerning the sympathies and interests of Britain. Would the anti-slavery sympathies that had grown over the course of the 19th century falter in the face of its economic interests regarding the use of Southern cotton in its textile industries? Creator An entity primarily responsible for making the resource Currier & Ives, New York, 1862/1863 Publisher An entity responsible for making the resource available Currier & Ives, Digitized at the Library of Congress Date A point or period of time associated with an event in the lifecycle of the resource 1862/1863 Cotton John Bull Slavery United Kingdom https://johnathanseitz.com/files/original/4d5fe791d54b7cb86376abc1a589bfcc.jpg 23f55e76858194512d2e87f4a2f2c683 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Civil War at Sea Subject The topic of the resource Naval Events of the War and the British Involvement Description An account of the resource Despite its neutral status being declared early in the conflict, this did not prevent Great Britain's involvement in several prominent maritime controversies that shook Anglo-American relations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Political Cartoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'The Pending Conflict' Subject The topic of the resource A Unionist View of Confederate Sympathies in Europe Description An account of the resource This image depicts several figures, two of which, engaged in a fierce struggle, represent the American conflict. Encoiled by a serpent holding him back is a representative of the Union cause, dragged down by those in the North that called for peace with the South (called Copperheads after the snake). Attacking him is the figure of Confederate president Jefferson Davis, wielding a large club identified as 'Pirate Alabama'. The others watching the fight, standing to the side, are representative of England and France - John Bull( right) and the Emperor of France Napoleon III (left). This scene is in reference to the sympathies for the South believed to be present in these nations by the North, as well as the actions of Confederate raiders against Union commerce at sea. These include the CSS Alabama and other vessels built in British shipyards, adding to the controversy surrounding them. In this print's accompanying text, the figure of John Bull notably declares he has much such 'clubs' to offer the South. Creator An entity primarily responsible for making the resource Oliver Evans Woods Source A related resource from which the described resource is derived Digitized by the Library of Congress, online at https://www.loc.gov/item/2008661653/ Publisher An entity responsible for making the resource available Oliver Evans Woods, Philadelphia; Library of Congress Date A point or period of time associated with an event in the lifecycle of the resource 1863 Language A language of the resource English Type The nature or genre of the resource Still Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant CSS Alabama; European Sympathies; Naval Warfare Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Lithographic Print CSS Alabama France Jefferson Davis John Bull United Kingdom https://johnathanseitz.com/files/original/e90f06d8e1ec4edecb48f056cefbad9d.jpg 3676d6c33f5d413d00a6d05e10582134 https://johnathanseitz.com/files/original/2c037507e284e3002c4663d2456ff701.jpg 1faab164360c132fef56f2fda1a5a1fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The War in Cartoon Form Subject The topic of the resource Matters of the War and Diplomacy as captured by British and American Cartoonists Description An account of the resource Political cartoons, whether critical or satirical, exist as commentary for the major issues and events of the day - the Civil War in America included. British and American publications regularly highlighted issues of the war, including diplomatic controversy, in their accompanying illustrations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph w/ drawn caricatures; Text on Back Text Any textual data included in the document The Great Surrender America surrenders the great commissioners - England surrenders her great pretensions - Jeff. Davis surrenders his great expectations "The Consideration is Ample." - Sumner The portraits of Earl Russell, Mason, Slidell, and Sec'y Seward, are photography Published by E. Anthony, 501 Broadway, New York Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'The Great Surrender' Subject The topic of the resource Northern Reaction to the End Results of the Trent Affair and the Return of the Confederate Diplomats Description An account of the resource This print combines caricature with photography to express the artist's view of the events surrounding the Trent Affair. Here, the figures of Confederate diplomats James Murray Mason and John Slidell stand aboard a ship travelling to England. There, British Foreign Minister Lord John Russell tears apart the Right of Search document that justified their capture by the Union in November, 1861, seized in a search of the British vessel, the RMS Trent. U.S. Secretary of State William Seward stands across the water from him. Seward faced criticism in England following the capture, amid growing tension over possible threats to Canada and pervieved violations of British neutrality. Finally, Confederate President Jefferson Davis disappointedly stands in the far right, having had hopes that this event would have ended up bringing Britain more solidly in support of the Southern cause. Creator An entity primarily responsible for making the resource E. Anthony, New York 1862 Publisher An entity responsible for making the resource available The Library of Congress - Prints and Photographs Division Date A point or period of time associated with an event in the lifecycle of the resource 1862 Language A language of the resource English Type The nature or genre of the resource Photographic Print, Text Source A related resource from which the described resource is derived Digitized by the Library of Congress, online at https://www.loc.gov/item/2013648221/ Rights Information about rights held in and over the resource Public Domain Confederacy James Mason Jefferson Davis John Russell John Slidell Trent Affair Union United Kingdom William Seward https://johnathanseitz.com/files/original/92fa82676b4588d93f52799bf9785b8f.jpg 72cd11517e3d6db5a03afb8ec8203dbd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The War in Cartoon Form Subject The topic of the resource Matters of the War and Diplomacy as captured by British and American Cartoonists Description An account of the resource Political cartoons, whether critical or satirical, exist as commentary for the major issues and events of the day - the Civil War in America included. British and American publications regularly highlighted issues of the war, including diplomatic controversy, in their accompanying illustrations. Creator An entity primarily responsible for making the resource Johnathan Seitz Language A language of the resource English Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Ye Conference, "Not Any We Thank You Mr. Davis"' Subject The topic of the resource A Northern View of the Confederacy's First Diplomatic Endeavors Description An account of the resource This scene presents the results of early attempts by the Confederate government, represented by CSA President Jefferson Davis, to attain greater European support. Depicted being addressed by Queen Victoria of Britain and Napoleon III of France, Davis's requests are met with refusal and general neutrality, a reflection of the official statements made by both nations by this point in the conflict. Creator An entity primarily responsible for making the resource Published/Printed by Erghott and Forbringer Publisher An entity responsible for making the resource available Digitized by the Library of Congress Date A point or period of time associated with an event in the lifecycle of the resource 1861 Format The file format, physical medium, or dimensions of the resource Lithograph Confederacy Diplomacy France Jefferson Davis United Kingdom