Browse Items (12 total)

One of the last outstanding diploamtic issues of the  Civil War, the resolution of American damage claims over the actions of the British-built Confederate raider Alabama, and others of her kind, was a persistent issue throughout the aftermath of the…

In response to the economic instability brought about by the American Civil War, affecting production and the consumption of goods and materials, John Bull (England) looks to other markets free of less shaken by an 'inconvenient' conflict. Economic…

Providing a satirical take on the nature of the divide between North and South, theLondon-based Punch's take shows the traditional Yankee opposite a new female figure representing the Confederacy, each holding torn parts of the national map. In the…

Punch's satirical criticism of the American conflict highlights their view of British neutrality in this image, perceiving the nation as above the conflict. While certain groups within the population and government displayed sympathy for either side,…

British iconography for American culture and society evolved over the course of the early 19th century. Among them precursors to the popular icon of Uncle Sam, these figures also included 'Brother Jonathan.' Perceived American-belligerence during the…

This scene presents the results of early attempts by the Confederate government, represented by CSA President Jefferson Davis, to attain greater European support. Depicted being addressed by Queen Victoria of Britain and Napoleon III of France,…

Part of a set of prints by Peter Kramer, these two images point to the interests of the European powers observing the conflict in America. The top image shows the figure of Queen Victoria, representing the British Empire, and the military threat…

Compiled together as a tribute to Lincoln's memory, this item combines both a print of a wood engraving, likely by Punch artist John Tenniel, and a poem also published by Punch, together on a single page. Though republished in 1910, this document…

King Cotton - interpreted here as a caricature of European-style monarchs, displaying elements of the British government - recieves a dangerous gift from Union General George McClellan. The illustration mocks British reliance on southern cotton while…

While declaring itself neutral, and remaining that way for the duration of the war, some in the North believed that sympathies for the South permeated Britain's top levels of government. This image from Harper's Weekly uses the figure of John Bull in…