Browse Items (7 total)

Gettys_BeforeMorrill_1861.jpg
The first in a pair of images printed by Harper's Weekly shortly after the start of the Civil War, focusing on British responses to the recently passed Morrill Tariff. In a move unpopular with foreign industrial producers such as Britain, the U.S.…

LOC_HarpersWeekly_Alabama_1872.jpg
One of the last outstanding diploamtic issues of the  Civil War, the resolution of American damage claims over the actions of the British-built Confederate raider Alabama, and others of her kind, was a persistent issue throughout the aftermath of the…

Punch_OvertheWay_1861.jpg
In response to the economic instability brought about by the American Civil War, affecting production and the consumption of goods and materials, John Bull (England) looks to other markets free of less shaken by an 'inconvenient' conflict. Economic…

LOC_PendingConflict.jpg
This image depicts several figures, two of which, engaged in a fierce struggle, represent the American conflict. Encoiled by a serpent holding him back is a representative of the Union cause, dragged down by those in the North that called for peace…

LOC_JohnBull_Discovery.jpg
This print, likely published in the first years of the war, conveys some of the fears Americans had concerning the sympathies and interests of Britain. Would the anti-slavery sympathies that had grown over the course of the 19th century falter in the…

Gettys_Harper's_Weekly_John_Bull's_Neutrality,_1862.jpg
While declaring itself neutral, and remaining that way for the duration of the war, some in the North believed that sympathies for the South permeated Britain's top levels of government. This image from Harper's Weekly uses the figure of John Bull in…

tennielpunch_neutrality.jpg
Punch's satirical criticism of the American conflict highlights their view of British neutrality in this image, perceiving the nation as above the conflict. While certain groups within the population and government displayed sympathy for either side,…
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